It was also interesting learning about the role of Poet Laureate, and the stipend. £5,750 per annum, and a barrel of Sherry; the latter being a tradition since 1630.
I love these small slivers of old traditions that are kept up into the modern day.
However, I do not like that it, like most other comments that provide only partial information about Gilgamesh, fails to mention some details that I consider culturally relevant.
For instance, it lists only 3 benefits of civilization with which the wild man is lured to leave his former life: professional women, eating bread & drinking beer.
I fact, the Gilgamesh epic lists 4 benefits of civilization, the 4th being the pleasure of being massaged with oil (apparently sesame oil is meant, presumably flavored).
In the antiquity, vegetable oil had only a minor role as food, its principal application was for massage, normally as perfumed oil. Massage with oil was a very widespread practice, even among the relatively poor.
The technologies of oil extraction, of milling flour, of making bread and of making beer by fermentation, were indeed major advantages of the settled people living on agriculture, in comparison with hunter-gatherers.
One isn't well served by something that old. Our knowledge of Akkadian (and the Sumerian predeccesor) has improved since the early twentieth century, as your very link notes. Some Akkadian hapaxes in Gilgamesh that baffled early translators can now be read on the basis of comparative Semitic or other work.
If you want a free translation online of a great work of literature, you don't have to limit yourself to old public-domain stuff. The shadow libraries will have more recent editions.
A significant portion of the English canon of verse doesn't rhyme, from most of Shakespeare to Milton (the latter who called rhyme "the invention of a barbarous age"), from the Anglo-Saxon era all the way to the twentieth century.
That is not universally true at all. For example, Milton's Paradise Lost, or much of Shakespeare. There are countless other examples of blank verse in English.
no mention of this bieng an actual translation from the original sumerian in any of the reviews, and the truely epic and laudable journey that is bieng replaced by the sleezy term 'verse translation', ie : hollywood sceen play ready, as that is what could be the most that can be expected from a former probation officer turned the official british royal panegrist.
edit: the songs of innana and other older actual translations of gilgamesh are there for some little peeks into the sumerian world that continues to define ours in so many subtle ways.
edit, edit: before commenting I did a fairly decent search for any details on this 'book' , of which nothing that I found written in plain text offered anything other than the standard devious prevercations found when some politico/legalistic thing is bieng floated.
And I can state with absolute certitude that this 'translation/rewrite' of Gilgamesh will not age well even in the tiny demographic it is aimed at and will go further out on the limb and suggest that this 'work' will soon be evaluated and found to contain certain 'isms' from some of the one name only agregators of our literary present.
> no mention of this bieng an actual translation from the original sumerian in any of the reviews
He states very clearly in his introduction what the scope is, how it's being translated and the problems with both translating ancient text from unfamiliar cultures and translating a work that's only partially complete and how he's approached both issues
Loads of "translators" not competent in the original language have written Introductions where they state such things. That doesn't mean their defense of their enterprise holds water.
I love these small slivers of old traditions that are kept up into the modern day.
Recommended reading for anyone interested in knowing more about the work.
However, I do not like that it, like most other comments that provide only partial information about Gilgamesh, fails to mention some details that I consider culturally relevant.
For instance, it lists only 3 benefits of civilization with which the wild man is lured to leave his former life: professional women, eating bread & drinking beer.
I fact, the Gilgamesh epic lists 4 benefits of civilization, the 4th being the pleasure of being massaged with oil (apparently sesame oil is meant, presumably flavored).
In the antiquity, vegetable oil had only a minor role as food, its principal application was for massage, normally as perfumed oil. Massage with oil was a very widespread practice, even among the relatively poor.
The technologies of oil extraction, of milling flour, of making bread and of making beer by fermentation, were indeed major advantages of the settled people living on agriculture, in comparison with hunter-gatherers.
https://www.globalgreyebooks.com/epic-of-gilgamesh-ebook.htm...
If you want a free translation online of a great work of literature, you don't have to limit yourself to old public-domain stuff. The shadow libraries will have more recent editions.
https://sophushelle.com/gilgamesh/?amp=1
No rhyme in the original doesn't mean there should be no rhyme in the English. Akkadian and English are different languages. English verse rhymes.
That is not universally true at all. For example, Milton's Paradise Lost, or much of Shakespeare. There are countless other examples of blank verse in English.
edit: the songs of innana and other older actual translations of gilgamesh are there for some little peeks into the sumerian world that continues to define ours in so many subtle ways.
edit, edit: before commenting I did a fairly decent search for any details on this 'book' , of which nothing that I found written in plain text offered anything other than the standard devious prevercations found when some politico/legalistic thing is bieng floated. And I can state with absolute certitude that this 'translation/rewrite' of Gilgamesh will not age well even in the tiny demographic it is aimed at and will go further out on the limb and suggest that this 'work' will soon be evaluated and found to contain certain 'isms' from some of the one name only agregators of our literary present.
He states very clearly in his introduction what the scope is, how it's being translated and the problems with both translating ancient text from unfamiliar cultures and translating a work that's only partially complete and how he's approached both issues