My favorite map is ‘One Need Not Be a House’ by Robert Yang, which was inspired by Louis Kahn's "brick brutalism" masterpieces in Bangladesh and India, as well as contemporary level design like The Silent Cartographer. The artist writes about their process on their blog post, https://www.blog.radiator.debacle.us/2026/01/one-need-not-be...
The map jam is standalone and uses custom assets so you don’t need a copy of Quake to enjoy it. Check the website for the ‘standalone’ variant.
I wonder what the practical limit is on how thin and light you can make concrete for non-structural items? I can see someone selling concrete mugs on Etsy, for example. Maybe with clever use of fillers and thin walls you could have a version of this you could actually lift. It looks great, especially in contrast to a white IKEA-style office.
Re: decay, I regret not taking more photos of the final days of the RBS "Ziggurat": https://www.edinburghlive.co.uk/news/edinburgh-news/stark-ph... ; at the end it had plants growing from much of the upper levels, making it look extremely Horizon Zero Dawn.
People who make concrete counter tops use a lot of fibreglass fillers to get them fairly thin but if you wanted it truly light weight you’d probably need to make it out of a dense foam and coat it with something that looks like concrete.
I went to https://www.keyboardco.com/ and searched for left-handed and the keyboard in the photo popped up, as well as a bunch of weirder and wonderfuler ones.
At first I thought you were talking about an actual rotating fan, which would be an awesome addition to this. Just a small PC fan running at a very low RPM built into the side in a circular cutout, with that worn metal patina look.
Never mind placing it, bringing it to the place where it should be, er, placed might also be a challenge. Unless you can drive a forklift into your office...
Same method though. There's a plethora of vibrating things to choose from. I suppose you could mold a large silicone tentacle to put on a jackhammer, too, and use that to fish for bubbles in your cement soup. Call the tool what you want, you haven't changed the method.
This is pretty cool looking, I like it, it must be really heavy though.
> For a medium-sized piece like this, a vibrating dildo is actually the best thing to use. Just think of it like any other power tool.For a medium-sized piece like this, a vibrating dildo is actually the best thing to use. Just think of it like any other power tool.
I used work on foundations for warehouses, huge concrete blocks as anchor points and this is exactly how we got the bubbles out, we had a huge metal vibrator they call them high-frequency concrete pokers.
Most brutalism was never intended to last. It was intended to be a quick/cheap answer to get people acceptable housing in the cities. Then they would build something nicer for people to live in as the economy gets richer. Which is why it so often is associated with decay these days - the structure still stands, but it has outlasted the expected lifespan.
There are burtalism structures that were intended to be beautiful and last. They do that well (well beauty is in the eye of the beholder), but the majority was quick and cheap above all else.
Yes, Sam is probably just having a bit of fun here, but I think it's worth presenting brutalism correctly as it's often so misunderstood.
Concrete is simply the mass production medium of the time, many of the patterns and moulds used in Barbican for example feature pretty timber imprints, scalloping patterns, painstakingly pick-hammered textured panels, or pleasing swooping shapes.
Further there is always space for glass, brass, Terrazzo and lighting.
Sam's design does feel cold, unnatural and broken, definitely not what brutalist living is about.
> cold, unnatural and broken, definitely not what brutalist living is about.
This can often be the actual experience of it, though. Part of why it's so divisive. Personally I'm on the "looks great, wouldn't want to actually live there" side.
The Barbican is an example of how good it can be when properly maintained by a community. There are plenty of less prestigious examples where the community cheered their demolition.
My subjective appreciation of building materials depends essentially on how gracefully they age. I find that concrete does not age well... and dislike brutalism for this specific reason.
I love concrete as a medium but that's got to be heavy af and I would manage to smack my elbow on it all the time as well as smash my coffee mug on it.
My favorite map is ‘One Need Not Be a House’ by Robert Yang, which was inspired by Louis Kahn's "brick brutalism" masterpieces in Bangladesh and India, as well as contemporary level design like The Silent Cartographer. The artist writes about their process on their blog post, https://www.blog.radiator.debacle.us/2026/01/one-need-not-be...
The map jam is standalone and uses custom assets so you don’t need a copy of Quake to enjoy it. Check the website for the ‘standalone’ variant.
Sorry for derailing! Cool laptop stand!
Re: decay, I regret not taking more photos of the final days of the RBS "Ziggurat": https://www.edinburghlive.co.uk/news/edinburgh-news/stark-ph... ; at the end it had plants growing from much of the upper levels, making it look extremely Horizon Zero Dawn.
You could likely also pour something like this out of aircrete, which would make it a lot lighter even at the same thickness
I've been looking and looking, but the best I can find is using a narrow keyboard with a separate number-pad only keyboard on the left. I'm in the US.
(It's better for your right shoulder to keep the mouse closer to your body like in the picture.)
EDIT: https://store.steampowered.com/app/870780/Control_Ultimate_E...
https://www.amazon.com/s?k=concrete+vibrator
> For a medium-sized piece like this, a vibrating dildo is actually the best thing to use. Just think of it like any other power tool.For a medium-sized piece like this, a vibrating dildo is actually the best thing to use. Just think of it like any other power tool.
I used work on foundations for warehouses, huge concrete blocks as anchor points and this is exactly how we got the bubbles out, we had a huge metal vibrator they call them high-frequency concrete pokers.
Loved the brutalist movie, this actually seems quite nice assthetically.
There are burtalism structures that were intended to be beautiful and last. They do that well (well beauty is in the eye of the beholder), but the majority was quick and cheap above all else.
Concrete is simply the mass production medium of the time, many of the patterns and moulds used in Barbican for example feature pretty timber imprints, scalloping patterns, painstakingly pick-hammered textured panels, or pleasing swooping shapes.
Further there is always space for glass, brass, Terrazzo and lighting.
Sam's design does feel cold, unnatural and broken, definitely not what brutalist living is about.
https://www.theguardian.com/artanddesign/gallery/2016/feb/22...
https://www.structuralrenovations.co.uk/portfolio/barbican-e...
https://www.barbicanliving.co.uk/barbican-story/construction...
This can often be the actual experience of it, though. Part of why it's so divisive. Personally I'm on the "looks great, wouldn't want to actually live there" side.
The Barbican is an example of how good it can be when properly maintained by a community. There are plenty of less prestigious examples where the community cheered their demolition.
Imo brutalism is monolithic and unyielding. This is opposite, with the sturdy concrete yielding into plant overgrowth and exposed rebar.
I appreciate++ the design except for the too-perfect rebar and the exposed wire directly _in_ the concrete. Pros would use a conduit methinks.